ABOUT THE ART

The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it,
it moves again since it is life.

William Faulkner

THE WILDLIFE EXPERIENCE

Imagine you are walking a dog down a tree lined path by a river in the middle of town, and a bear pops out of the bushes and scrambles across the path in front of you. There are no bars between you. You lock eyes and time stops for a moment. There is a huge burst of adrenaline that leaves you shaking. Everything is so intense. The sky is bluer, every speck of dirt on the path crystal clear, and the bear itself is seared into your memory.

That is what I paint.

CANADIAN TRADITION

The Canadian landscape was explored and painted by the Group of Seven from 1920 to 1933. Believing that a distinctly Canadian art could be developed through direct contact with nature, they worked mainly from life in the Alla Prima method.

Although I love and appreciate the modern art now flourishing in Canada, I prefer to use the same method as the Group of Seven, intent on continuing this Canadian tradition, but with a wildlife focus.

``Paint what you love with passion and conviction, and if it is not in fashion, keep painting until one day it will be.``

OCA Instructor

PROVENANCE

LONGEVITY

The bears made their debut in the mid 1990’s in the mountain town of Canmore, Alberta. The gallery now known as The Sunny Raven, carried my earliest bear art. I worked mainly in pastel on black paper back then. The style, vigorous strokes on a dark ground,  developed from practicing wildlife and figurative imagery on colourful chalk menu boards for the local restaurants and cafes.

ESTABLISHED

The style quickly grew to include acrylic and oil on canvas, receiving wider recognition at the 2001 exhibition at The Whyte Museum of the Canadian Rockies, Bears: Imagination and Reality. At that time the majority of wildlife art was realistic, and it was a challenge finding representation in the urban galleries until Gainsborough Galleries, the oldest established gallery in Calgary, began carrying my work.

VITALITY

When colourful bear portraits by other artists began appearing in local galleries the focus of my work shifted from primarily bear portraits to a broader exploration of all the wildlife in the Rockies, as well as rural livestock. This coincided with a move to Okotoks, Alberta, a small town in the foothills, where deer roam the streets and moose encounters happen on the way to class.

FUTURE PLANS

Beginning in May, 2018, each painting will be input into a database on artmoi.com, and will have a unique id number. This database is for the purpose of tracking the provenance of the painting, and will include details and written comments on the story behind the art.

Otherwise, when not entering paintings into the database or teaching, I’ll be in the studio attempting to harmoniously unite wildlife and scenery in a painting for the upcoming Peace Parks international exhibition in Montana, or I could be painting something just for you.

``I am the delighted owner of two of Erica's paintings. Her artwork lights up the walls of my home and the faces of everyone lucky enough to see them. She is amazingly talented and it's so evident that every stroke of her brush is applied with sheer enjoyment.``

Toni Trudel Collector

The paintings are about both an admiration for wildlife and an appreciation of the abstract qualities of paint itself.

Through art intensified with feral colour and untamed brushstrokes, relive the thrill of a chance encounter with the wildlife of the Canadian Rocky Mountains.